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Like many young people of the 1920s, Kong and Yan are infected with the happily ever after syndrome waiting for their perfect match Unlike other love stories, this couple journeys through murder, ghostly spirits and true sacrifice

Chan Mong Gut, a famous Chinese lawyer, who must defend his apprentice Foon, who got framed for murder, in court

Blackie Tat looks for a new Saint of Gamblers, and finds him in the form of a dimwitted mainlander

Director Eric Kot discusses the process of developing a love story, playing with various probabilities, and highlighting character feelings These monologues are intercut with dramatizations of his evolving narrative